The Journey Motif and the Re-reading of Ngugi Wa Thiong'o: Devil on the Cross, Matigari and Wizard of the Crow, A Gikuyu Trilogy

dc.contributor.authorLema, Emmanuel. P
dc.date.accessioned2019-02-27T13:23:20Z
dc.date.available2019-02-27T13:23:20Z
dc.date.issued2018
dc.description.abstractThis essay employs the journey motif to re-read three novels by Ngugi wa Thiong’o: Devil on the Cross, Matigari and Wizard of the Crow. It is argued here that these three novels form Ngugi’s era of Gikuyu fiction; they are chosen to represent his celebrated decision to freely tap from Gikuyu orature. Ngugi’s use of indigenous language in these novels bridges the historical and chronological gaps separating the three narratives; they constitute a trilogy that retells Ngugi's parable about postcolonial Kenya and Independent Africa more generally. By exploring the different physical, metaphorical and psychological journeys that permeate the atmosphere of all three novels, this interpretation enhances their value in light of Ngugi’s broader political and social agenda.en_US
dc.identifier.urihttp://hdl.handle.net/20.500.11810/5080
dc.subjectResearch Subject Categories::HUMANITIES and RELIGIONen_US
dc.titleThe Journey Motif and the Re-reading of Ngugi Wa Thiong'o: Devil on the Cross, Matigari and Wizard of the Crow, A Gikuyu Trilogyen_US
dc.typeJournal Article, Peer Revieweden_US
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